Category Archives: Writing Tips
by Gabrielle L.
NaNoWriMo is one of the biggest challenges a writer can face. Setting a goal and trying your hardest to complete it within only 1 month is so challenging! But, as tough as NaNoWriMo is, the final result is priceless; your very own novel.
I have done 3 NaNoWriMo’s so far, and I have finished all of them. I may not have liked my novel afterwards, wished I had done more, had hundreds of spelling errors and grammar twists, but I had a huge accomplishment that I could not gain elsewhere; I had written a whole novel in just one month. You may say that you didn’t write enough or that your goal is too small, but if you want to actually finish your novel, your goal has to be attainable. It can be 100 words or 100,000, NaNoWriMo is different for everybody and there should be no shame for having a smaller goal!
And if you don’t finish, that is 100% okay too, you still have something you wrote and can add on to later. Didn’t write anything at all? That is completely fine! As nerve racking as it gets, there is no need to stress or worry over it! Remember this challenge is for increasing your writing skills, it doesn’t have to be perfect!
So, when you hit that wall and you just don’t know what to write, just take a breath, and realize the reason why you are writing. Because you are a writer and you can do this. You have the strength, the willpower, the skills and talent to complete NaNoWriMo, and even though it may seem like you can’t right now, you can. Push away writers block, shut out the critics, reach that deadline and finish NaNoWriMo strong!
“Excuses are the nails used to build a house of failure.” -Don Wilder and Bill Rechin
Today, you are no longer just a student, a teacher, a parent, or a child. Today, you are a novelist!
We’ve had lots of fun planning our characters and our plot lines over the past few weeks. We know that character and conflict are what move our story forward. We know our characters’ wants, needs, likes, and dislikes. We’ve made thousands of notes about our story plans. We’ve even felt butterflies in our stomachs as we’ve counted down to the start of NaNoWriMo. Today, the day is finally here.
Some of us have already met our word counts for the day. High fives to you!
If you haven’t started writing yet, don’t worry! There is still time! There are still six hours remaining in day one!
No, don’t worry at all, but also, don’t make excuses.
This is where the rubber meets the road.
If you are like me, you are already finding reasons to procrastinate.
“It won’t matter if I start tomorrow instead. I’ll just add 100 more words to each day for the rest of the month to meet my goal.”
“I really should go do this other important thing.”
“Everything on my desk needs to be perfectly placed for me to think about my writing, so let me just tidy up a bit.”
Anybody know what I’m talking about here? There are so many reasons NOT to write. But what about the reason that brought you here in the first place?
What about that voice inside that whispers, “I want to be a writer”? Listen to THAT voice.
Stop WANTING to be a writer, and actually become one.
You know what writers do?
At this point, just sit down and start pounding out the real first draft of the novel. You will be astounded at how fast the story flies out of your fingers at this stage. I have seen writers triple their fiction writing speed overnight, while producing better quality first drafts than they usually produce on a third draft.
You might think that all the creativity is chewed out of the story by this time. Well, no, not unless you overdid your analysis when you wrote your Snowflake. This is supposed to be the fun part, because there are many small-scale logic problems to work out here. How does Hero get out of that tree surrounded by alligators and rescue Heroine who’s in the burning rowboat? This is the time to figure it out! But it’s fun because you already know that the large-scale structure of the novel works. So you only have to solve a limited set of problems, and so you can write relatively fast.
This stage is incredibly fun and exciting. I have heard many fiction writers complain about how hard the first draft is. Invariably, that’s because they have no clue what’s coming next. Good grief! Life is too short to write like that! There is no reason to spend 500 hours writing a wandering first draft of your novel when you can write a solid one in 150. Counting the 100 hours it takes to do the design documents, you come out way ahead in time.
(Optional. I don’t do this step anymore.) Switch back to your word processor and begin writing a narrative description of the story. Take each line of the spreadsheet and expand it to a multi-paragraph description of the scene. Put in any cool lines of dialogue you think of, and sketch out the essential conflict of that scene. If there’s no conflict, you’ll know it here and you should either add conflict or scrub the scene.
There are a couple of things you can do to make that traumatic first draft easier. The first thing to do is to take that four-page synopsis and make a list of all the scenes that you’ll need to turn the story into a novel. And the easiest way to make that list is . . . with a spreadsheet.
Make a spreadsheet detailing the scenes that emerge from your four-page plot outline. Make just one line for each scene. In one column, list the POV character. In another (wide) column, tell what happens. If you want to get fancy, add more columns that tell you how many pages you expect to write for the scene. A spreadsheet is ideal, because you can see the whole storyline at a glance, and it’s easy to move scenes around to reorder things.
My spreadsheets usually wind up being over 100 lines long, one line for each scene of the novel. As I develop the story, I make new versions of my story spreadsheet. This is incredibly valuable for analyzing a story. It can take a week to make a good spreadsheet. When you are done, you can add a new column for chapter numbers and assign a chapter to each scene.
Expand your character descriptions into full-fledged character charts detailing everything there is to know about each character. The standard stuff such as birthdate, description, history, motivation, goal, etc. Most importantly, how will this character change by the end of the novel? This is an expansion of your work in step (3), and it will teach you a lot about your characters. You will probably go back and revise steps (1-6) as your characters become “real” to you and begin making petulant demands on the story. This is good — great fiction is character-driven.
By now, you have a solid story and several story-threads, one for each character. Now expand the one-page plot synopsis of the novel to a four-page synopsis. Basically, you will again be expanding each paragraph from step (4) into a full page. This is a lot of fun, because you are figuring out the high-level logic of the story and making strategic decisions. Here, you will definitely want to cycle back and fix things in the earlier steps as you gain insight into the story and new ideas whack you in the face.
Write up a one-page description of each major character and a half-page description of the other important characters. These “character synopses” should tell the story from the point of view of each character. As always, feel free to cycle back to the earlier steps and make revisions as you learn cool stuff about your characters. I usually enjoy this step the most and lately, I have been putting the resulting “character synopses” into my proposals instead of a plot-based synopsis. Editors love character synopses, because editors love character-based fiction.
By this stage, you should have a good idea of the large-scale structure of your story. If the story is broken, you know it now, rather than after investing 500 hours in a rambling first draft. So now just keep growing the story. Take some time and expand each sentence of your summary paragraph into a full paragraph. All but the last paragraph should end in a disaster or setback. The final paragraph should tell how the book ends. So, you should have about five paragraphs.
This is a lot of fun, and at the end of the exercise, you have a pretty decent one-page skeleton of your story. It’s okay if you can’t get it all onto one single-spaced page. What matters is that you are growing the ideas that will go into your story. You are expanding the conflict. You should now have a synopsis suitable for a proposal, although there is a better alternative for proposals . . .
Step 2 gives you a high-level view of your novel. Now you need something similar for the storylines of each of your characters. Characters are the most important part of any story, and the time you invest in designing them up front will pay off ten-fold when you start writing. For each of your major characters, take an hour and write a one-page summary sheet that tells:
- The character’s name
- A one-sentence summary of the character’s storyline
- The character’s motivation (what does he/she want abstractly?)
- The character’s goal (what does he/she want concretely?)
- The character’s conflict (what prevents him/her from reaching this goal?)
- The character’s epiphany (what will he/she learn, how will he/she change?
- A one-paragraph summary of the character’s storyline
An important point: You may find that you need to go back and revise your one-sentence summary and/or your one-paragraph summary. Go ahead! This is good–it means your characters are teaching you things about your story. It’s always okay at any stage of the design process to go back and revise earlier stages. In fact, it’s not just okay–it’s inevitable. And it’s good. Any revisions you make now are revisions you won’t need to make later on to a clunky 400 page manuscript.
Another important point: It doesn’t have to be perfect. The purpose of each step in the design process is to advance you to the next step. Keep your forward momentum! You can always come back later and fix it when you understand the story better. You will do this too, unless you’re a lot smarter than I am.